Mother and Child

Mother and Child Screening Report



The September 13 screenings of Mother and Child, were very warmly received by our audience of 532 patrons. One sign of a great writer/director is the number of talented lead actors and character actors who are willing to work for little financial return because they believe in the director and the project. Mother and Child, which took Rodrigo Garcia 8 years to write, was only possible to be filmed and distributed because of foreign purchases. It made more money in Spain and almost as much in Australia as it did in the U.S. where it grossed a mere million dollars peaking in 114 theatres. The film is expected out in video in December where hopefully it will find a well deserved larger audience.

Though the proceeds was only $900, we donated $1000 to the Hamilton Out of the Cold Program. Our payment to Cineplex has now been increased to 35% of the box office gross, the distributor also receives 35%, the film circuit head office 3%, our shipping and other film night related costs range from 3 - 5% leaving 22 - 24% for the designated charity.




Mother and Child Synopsis



Writer/director Rodrigo García (NINE LIVES) teams with executive producer Alejandro González Iñárritu (screenwriter for BABEL, 21 GRAMS) to craft this drama highlighting the powerful bond between a mother and her child.

Almost forty years ago, a young girl of 14 has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There's Elizabeth (Naomi Watts), a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn't have the upper hand, and cannot control the situation, she uses her sex appeal - whether that be starting a romance with her boss (Samuel L. Jackson) when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband (Carla Gallo and Marc Blucas). Karen (Annette Bening), meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of 14 and has never gotten over it - her bitterness inspiring her to lash out at everyone around her - even the gentle man at work who is undeniably drawn to her (Jimmy Smits). Finally, Lucy (Kerry Washington) is a woman who has failed to conceive with her husband, so she turns to adoption to make the family she desires.


Running Time
Rating
125 minutes
14-A
Release to VHS and DVD: T.B.A.


Click on each image to see a larger picture.






The Critics Comment




Denver Post/Lisa Kennedy
So many stories come packaged in hyped genres that we can forget how much character can hold sway. Watts, Bening and Washington -- along with a fine ensemble and a humane director -- make sure we remember.

New York Times/A.O. Scott
You may not quite trust Mother and Child -- its soft spots and fuzzy edges give it away -- but you can believe just about everyone in it.

Chicago Tribune/Michael Phillips
A screenwriter's butterfly flaps its wings and a chain of events is set into motion, resulting in the latest cinematic ensemble tale of connectivity and yearning. This one's good, though.

Rolling Stone/Peter Travers
Dynamite performances from Annette Bening and Naomi Watts ignite this strong drama from writer-director Rodrigo Garcia.

New York Observer/Rex Reed
One of the many pleasures in this exemplary film is watching the women grow and evolve, revealing more about themselves in each successive scene. Fraught with pitfalls, the narrative comes together seamlessly.

New York Magazine/David Edelstein
Mother and Child is suffused with grief and loss. It’s also suffused with compassion and insight.

Variety/Todd McCarthy
Rodrigo Garcia's reputation as a writer for and director of women will increase exponentially with Mother and Child, an insightfully observed and exceptionally acted ensemble piece precisely about what the title suggests.

Chicago Sun-Times/Roger Ebert
The film is founded on three performances by Annette Bening, Kerry Washington and Naomi Watts. All have rarely been better.





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